Film Workshop- day 2

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As we speak, I am in the second day of our film workshop with Hiba Vink. We’ve started our day discussing what we hope to get out of this process, which we hope will be a great documentary about what Knowmads means for each one of us. It reminds me a lot of our first weeks together as we worked together creating shared values and principles with a common vision and dream. We each came together this morning with individual premises.

Although the premise isn’t particularly important, or at least not seen in the final product, it is crucial for developing the individual motivations and inspiration required to create something together. Here are eleven different premises we shared with each other:

  • Business done passionate is universal change. Passion is talent, talent is everything, everything is precious.
  • The price of playful education is eternal vigilance.
  • Be all you can be by learning to live. Let’s see how far we can take it!
  • Knowmads is the right place for you.
  • “Every child is an artist, the problem is how to remain one once they grow up.” -Picasso
  • A journey is measured in friends, not in miles. The future is no place to place your better days.
  • Swimming on the shore.
  • You are your own creator.
  • Energy is the key to authentic living. Choose to live to your potential. Looking for a dream is a choice.
  • New-born baby
  • a drawing (by Cornelius)

I think most of us are really enjoying the combination of practical film theory and practice Hiba is facilitating with us. At least I can say that much from my point of view. My favorite part of our day yesterday, before creating simple story lines and given cameras to start playing with, was the following exercise:

These photos are from an exercise we did yesterday when exploring the basic element that makes up the core of storytelling in film, which is the frame.

Using seven different objects, we created individual frames that we had to then connect together to make a coherent story. First discussing how others perceived the framed object, each Knowmad then shared what their unique premise was to the story they attempted to create.

What are Natasha and Sebastiaan’s stories saying to you?

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fear, according to Stephen King

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I had a great picnic in the park with my friend and fellow Knowmad, Marianne Slegers, last week. It was the day before we left on a Knowmadic team-building retreat . It was the end of a rather scattered month, to say the least. As a matter of fact, the reason Marianne and I got together in the first place was for a meeting that wasn’t scheduled for a week later. Nonetheless, we had a great Monday off talking in the park about motivations, fears, and life in general. She shared with me her love for Stephen King’s horror books that she had been reading from a very young age. Later that day, I got this email from her about his theory on the different types of terror:

  • The Gross-out: the sight of a severed head tumbling down a flight of stairs, it’s when the lights go out and something green and slimy splatters against your arm.
  • The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it’s when the lights go out and something with claws grabs you by the arm.
  • And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. “It’s when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there’s nothing there…”

What are your biggest fears? I actually made a list and realized:

What have I got to lose?

What’s the worst that could happen?

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Two More reasons “Art School” is the next “dream” school:

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In a recent blog post, Three Reasons I think “Art School” is the next “Dream School,” I wrote about why I think creativity, essentially, is the biggest factor that determines the (personal) leadership styles required in 21st Century Education. Recently, I read a tweet that states that creativity is the most needed leadership quality required in 2010. I didn’t open it, but I don’t think creativity is not just a fad of the current times.
Creativity is required for the present and future as we catapult into an emerging era of excess and abundance of resources of multi-dimensional degrees.

Two questions emerged from these thoughts as I put together that blog post:
Who is the artist?
What is the role of art and the artist in the 21st Century?
After exploring who I perceived as an artist, I determined three qualities essential to the thriving century nouveau Picasso:
  • “feeling,” or rather, giving meaning to
  • “creating” an authentic and balanced life in order to navigate through the required
  • transformation,” or ability to flow, along the basic priciples of Liquid Modernity.
To further explore the story of these qualities, I pose two more traits:
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KLM Assignment; the Journey

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Upon entering our headquarters, there is a sort of ‘buzzing’ happening. This is the description I was given by a recent visitor, at least, and I find it quite accurate. I prefer to call our home a beehive, actually; because much like bees, we are a busy and dynamic group of cross-pollinating individuals. Last month, there was an exceptionally exciting energy in the air as we awaited our first presentation from KLM, the second client we have taken on so far.“Welcome Home!” I remember telling the three men dressed in business suits and ornately pointed patent leather shoes. As they walked into Headquarters, I remember thinking: “Why are you here and what do you hope to get from us?” I think they were wondering the same thing when they first walked in. Since then, I think we’ve all come a long way from understanding what sets us apart and how to work with a variety of unique individuals.

From business suits to sneakers, the professional experience working with KLM has allowed many of us to experience what working in a corporation is really like.
I also believe that KLM has been able to better see what working with Knowmads is like, as well.What makes Knowmads special, in my opinion is that the very experience is transformative. We “work” on transforming the very definition of work.We attempt to blur the lines through our mission of “combining passion,business,and playful learning.” I believe we are able to do this because we remember that education does not stop once you enter the work-force. As a matter of fact, it should be fun, encouraged, and continue.This type of passionate and playful mentality of life-learning is the reason why I believe such a variety of people show up at our doors to work with us. Read the rest of this entry »
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collage; Camino de Santiago

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Is “art school” the next “dream school?”

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When asked to write a piece of text for the Knowmads blog in the upcoming “what our students say” section, this is what I wrote:

“Every child is an artist. The problem is how to remain one once he grows up.”

“Picasso said this and Knowmads attempts to solve the struggles an individual has in creating a life of purpose by giving them the necessary experience, creativity, and individual responsibility needed to succeed in a world that is changing at an extremely rapid rate. Because of this, the traditional four year degree is outdated within a year of graduation. As a student with a background in experimental, experiential, and artistic education, conforming to the typical university system just wasn’t an option for me. For a true individual seeking to transcend conformity and give more meaning to life, Knowmads is for you. Because It’s not about creating parts to your life; it’s about creating your part in life. Welcome Home!”

So, your first question may be:
Who is the artist? In my eyes, the artist is a human being who combines passion, work, and playful learning. The artist has a spiritual core, a fearless exterior, and uses their creativity, or imagination, to make a difference in the world they’ve created.


The next question I’m attempting to gain more insight on is: “what is the role of art and the artist in the 21st Century?” I believe that the artist can be used as the perfect analogy of what is required of educating leaders in this era of socio-economic complexity. Here are 3 reasons why: Read the rest of this entry »

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21st Century Leadership; styles

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Building on a previous post, 21st Century Leadership, leadership styles in the past, present, and future are explained by Pieter Spinder at Knowmads.

When it comes down to traditional leadership, bureaucratic and autocratic leadership styles come to mind. Involving hierarchy, power retention within “manager-style” positions, all decision-making is given on a vertical style of bureaucratic leadership where only the highest positions are involved. Staff, within organizations and corporations, do not consult staff and are typically not given the opportunity to provide input. Without explanation, they are expected to obey orders. Usually, they do so without ever given a second thought. This is typically due to a structured set of rewards and punishments that are involved if they fail or succeed. In other words, if they obey or disobey.

Autocratic leaders are especially reliant on these threats and punishments to influence their staff, which they don’t trust or listen to for input, anyway. Bureaucratic style is a bit more managed “by the book,” so to speak. Everything is done according to procedure or policy. If not covered by the book, it’s passed on to the hands of a higher level without further regard. It’s this behavior that places a police officer as simply a rule-enforcer instead of a leader, for example.

What are some qualities of other present leadership styles that are valuable and what are the leadership styles of the future? Some valuable qualities that can help make a group of people collaborate more creatively involve just that type of attitude. These qualities get everyone more involved, they create a community dialogue and discussion. They are an easy entrance to expanding your network in order to open up to a wider audience, within a differently structured format, involving like-minded educators of a similar skill level. Here are the styles of the today and tomorrow we explored:

Transformational Leadership

Make change happen in self, others, groups, and organizations. Charisma is a special leadership style commonly associated with transformational leadership; extremely powerful, extremely hard to teach.

Transactional Leadership

Emphasizes on getting things done within the umbrella of the status quo, which is directly in opposition of transformational leadership. Using a “by the book” approach, this leader works within the rules and is commonly seen in large, bureaucratic organizations.

Creative Leadership

Ability to uniquely inspire people, generating shared innovative responses and solutions to complex and readily-changing situations.

street art, Tel-Aviv

Corrective Leadership

Empowers staff to facilitate collaborative behavior and creates a synergism by working with and through other people instead of bowing to authoritarianism.

Change Leadership

Endorses alteration, is beyond thinking about individuals and individual organizations, and single problems with single solutions. Rethinks systems to introduce change on parts of the whole and their relationship to one another.

Intelligence Leadership

Is able to navigate the future by embracing ambiguity and reframing problems as opportunities. Takes a proactive stance in taking their organizations into uncharted territory.

Multicultural Leadership

Fosters team and individual effectiveness, drives for innovation by leveraging multicultural differences. Teams are able to work more effectively in the atmosphere of understanding and mutual respect.

Pedagogical Leadership

A video from 21st Century Pedagogy attempts to answer the question: How do we involve new technologies to meet the changing needs of students in the 21st Century classroom?

The literature from the presentation reads:

Technology will never replace teachers. However, teachers who know how to use technology effectively to help their students connect and collaborate together online will replace those who do not.

There is a paradigm shift from leader/teacher centered “orientation” to an interactive, connective organizational system using more democratic learning with a more dynamic communicative approach. This is seen as an alternative to instructional leadership by enabling the learning and intellectual growth of those led. Read the rest of this entry »

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face painting; Palestine

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IMG_1974

IMG_1941

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Self-Working Day @ Knowmads

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Today was a great self-working Wednesday where the tribe got together, cooked together, danced, and started shipping! (literally!) Eight of us found our way to work en route a ferry where we went to sunny bar and cafe Noorderlicht near the MTV headquarters on the industrial north island of the city. Constructed from a greenhouse and secured at the base with cement bags, eclectic furniture, and an organically delicious menu and equally enjoyable staff, it has a panoramic vista of Amsterdam harbor. With painted leather sofas littered amongst old ship hull tables and cranes dotting the waterfront, this creative cafe was a buzzing hub of people working, talking, eating, and laughing. I think the tribe managed to do all of the above and then some! We split up to work on two very exciting projects that are keeping us incredibly good busy at the moment. One, from Royal Haskoning SMC and the other from KLM Royal Dutch Airlines.

{A special thanks from the tribe to Roel and Ellen over at Access to Retailing for the great tip on one of Amsterdam’s hottest hangouts.}

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Knowmadic Notes, from the field

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To conclude our week at the IDEC, we had a very busy last day facilitating three workshops that built on each other to create we deemed a ‘Knowmadic Dance Around the Fire”. After enjoying the conference and all the new people we met, we felt the best gift we could give back to the experience was a sort of conclusion space, a Knowmadic environment we could share with others to reflect on our time at the conference sharing tools and lessons learned while continuing to explore what we could do to continue bring the Knowmads to Israel again. We looked at the dance around the fire as something happening in a sort of playground. We realized that for a Knowmad, home is on the inside, and the world is our playground!

Presenting Knowmads to the groups, we expressed a felt need in a conflicted place for a new type of school based on socially innovative entrepreneurial behavior. Looking at it as a creation developed from achallenge that exists in the world rather than as a reaction to a problem of the Industrial age. Using the Start-up wheel as a tool to bring into the space combined with tools and experiences brought from participants, we developed three different workshops based on the following three forms:

1. Harvesting; ideas, thoughts, feelings, experiences from individuals from the IDEC and the world as a whole.

2. Prototyping/Modeling; using three different groups based on three different ideas, we brainstormed what sort of experience a Knowmadic bus touring around Israel would look like. We explored the value a semester of teachers and students could provide, and finally what a Knowmads ‘crash course’ would do over the summer break.

The results? Stay tuned once I return back from the field after analyzing the data with our team. As for now, I’m off to enjoy my last day in Tel Aviv.

This is brock, signing off from my notes from the field. Looking forward to bringing my new dance moves back to my tribe!

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